Wednesday, June 26, 2013

GAIA, SOLAR LOGOS IN TIMOR, WESTERN & CENTRAL INDONESIA MYTHOS


GAIA, SOLAR LOGOS  IN TIMOR, WESTERN & CENTRAL INDONESIA MYTHOS

Erle Frayne D. Argonza

The cosmogonic myths thus far discussed are derived from western and central Indonesia; and we may now turn to the eastern portion of this area, where another type appears, albeit the available material is exceedingly scanty. Indeed, of true myth-material we have only fragments from the small islands north-east of Timor (the Sermata and Leti Islands)." These seem to indicate a belief in a sky-world and a world below, of whose origins, however, nothing is said." On the other hand, it may be noted that in all of the islands, from and including Timor to the Kei Islands, there is a belief in a male deity living in the sky and associated chiefly with the sun, and a female deity dwelling in or regarded as one with the earth, these being described as husband and wife, and being supposed to mate annually at the time of the monsoon, while it was also believed that the sky once was closer to the earth. In Ceram, Buru, and Amboina, the definiteness of this concept of the heaven father and earth mother becomes clearer; but we have no myths, not even fragments, regarding them. In view of the almost total lack of cosmogonic myth material from this region, as well as from Halmahera and the other islands of the Moluccas, it is premature to draw any conclusions from the resemblance of this concept to the similar, but much more highly developed, ideas in Polynesia; yet it is difficult to avoid the impression that the strength of the belief here in the extreme eastern portion of Indonesia, which is geographically nearest to the Polynesian area, and its apparent absence elsewhere farther west, are significant. Further material, however, alone can settle the question.
REFLECTION

The ‘sky-world’ and the ‘world below’ reflect the synergy of the spiritual dimensions (‘sky-world’) and the material dimensions (‘world below’). The bifurcation of reality into the spiritual and material indicates right away the Law of Duality/Polarity, one of the cosmic laws as per Theos Sophias’ teachings.

‘Of whose origins, however, nothing is said’ signifies the state of silence that had swept mankind about cosmogony and anthropogenesis after the Deluge (end of glacial period/sinking of Poseidonis/Atlantis).

Such a state of mum is counterbalanced, thankfully, by another mythos in which a Male Deity and Female Deity are said to have been involved in creating the Earth and humans. Again, the Law of Duality obtaining. The Male Deity is associated with the Sun, the Above, which signifies the spiritual domains; the Female Deity, with the material domains. Theos Sophia indeed associates the Male Principle with the Idea, the Spirit, while the Feminine Principle signifies materialization, matter, physicality.

Equally revealed are the Solar Logos, Deity of the solar system, which could explain the Male Deity’s association with the Sun. And, the goddess Gaia, Female Deity, who in-dwells in the Earth which Lady Gaia chose as her body.

[Philippines, 22 June 2011]

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Sunday, June 23, 2013

BIRDS & SEA ARCHETYPES IN BORNEO CREATION MYTHS


BIRDS & SEA ARCHETYPES IN BORNEO CREATION MYTHS
Erle Frayne D. Argonza / Ra


The origin-legends of the north-west Borneo tribes are related to the type of cosmogonic myth which has just been considered in that they set forth belief in a primeval sea and in the important part played by birds, although they imply something more of a direct creation. According to one of these," in the beginning there was nothing but a wide-spread sea, over which flew two birds, who, diving, brought up two objects like eggs in size and shape, from one of which one bird made the sky, while from the other his fellow created the earth. As the size of the latter exceeded that of the former, it was pressed together in order that it might fit, its resultant crumples and folds producing the mountains and valleys. Other versions 52 speak of an original deity without legs or arms, who seems to have been supported upon an animal, and who by an act of will created two birds, which then formed heaven and earth.
REFLECTION
The sea signifies the astral plane that is governed by the water element. Incidentally, when more advanced species of plants and animals appeared on Earth, the vibratory frequency of the planet was still of the astral or 2nd plane modality, while the entire planet was practically covered by water.
The bird archetype has a number of meanings in cosmogony & divine wisdom. One is the phallic/Desire signification, without which existence and procreation cannot be possible. Another meaning is that of the ‘air element’, as birds are creatures of the air, which therefore refers to the mental plane (3rd plane) that is governed by the same element. Still another meaning is that of the Supreme Being, whenever the bird is a ‘dove’ that is among the standard archetypes for the Almighty Father.
The narrative reveals the interactions or interventions happening at the mental astral planes prior to the full descent of human souls into the dense physical planes. The ‘egg is shape’ is revelatory of the first two (2) ‘root races’ that were asexual in reproduction, and were of shadowy etheric constitution.
The ‘original deity without legs or arms’ clearly speaks of the Creator Beings—collectively identified in the singular—who were amorphous. From the 4th through the 7th planes, beings do not have forms, though they can manifest to mystics and/or rishis with forms and even create temporary bodies to be able to fully manifest before their bakthas (devotees).
[Philippines, 22 June 2011]
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Monday, June 17, 2013

REPTILOID VS DIVINE CLASH IN BATARA GURU OF KARO BATTAK


REPTILOID VS DIVINE CLASH IN BATARA GURU OF KARO BATTAK

Erle Frayne D. Argonza

One more version may be given, that from the Karo Battak, who, like the Dairi, live north of the Toba. According to this, Batara Guru, the heaven deity, and his wife, who was the daughter of the divinity of the underworld, full of sorrow at their childlessness, determined to try the effect of penance in poverty and seclusion, and accordingly went to live in a little hut by the sea. Here they planted a small garden, which was destroyed by a great serpent that came out of the water, but when Batara Guru went to drive it away, the monster demanded that he put food into its mouth. Fearing lest his hand be bitten off, Batara Guru wedged open the mouth of the serpent with his sword, and withdrawing his hand, found upon his finger a magic ring which would grant his every wish. The serpent then returned to the sea, and in due course of time, aided by the ring, the wife of Batara Guru presented him with three sons and three daughters. One of these sons created the world in the space between the upper world and the under-world, making it with seven handfuls of soil sent him by his father, who, when the earth was finished, suspended it from the sky by seven silken cords. The newly created world caused the underworld to be darkened, which aroused anger in that one of the three sons who had taken up his residence there. Therefore he shook the world so violently that it was destroyed. Seven times this was repeated, the earth being made anew each time, until the world-maker besought his father to aid him, and this Batara Guru did, setting up an iron pillar which sup-ported four cross-beams, upon which the world was then founded. After this the underworld-brother could shake the world (as indeed he does to this day), but was unable to destroy it.
REFLECTION

‘Batara Guru and wife’ suggest strongly the coupled role of Brahma & elohistic forces on one hand, and that of Shakti (Mother) and the angelic forces on the other hand. ‘Divinity of the underworld’ signifies the deific beings assigned to help create humans in the astral and physical dimensions which collectively are ‘underworld’.

Both forces, from Brahma-Elohim to Shakti-devic/angelic were to collaborate in birthing humans down on the lower planes or ‘underworld’. The ‘little garden’ is the devachan to which early humans had direct access to, that access later to be destroyed by the descent into the dense plane on account of succumbing to the dictates of the reptiloid species that intervened in the evolutionary process.

The ‘7 handful of soil’ refers to the 7 subcontinental regions of each of the supercontinents that emerged on Earth’s lower globes or planes. Pangea (also called Hyperboria) and Lemuria were the first supercontinents populated by humans, each one with 7 distinct sub-continents or regions. Current geologists know of a super-continent before Pangeaa, but there were no humans yet in that primordial land mass.  

The clash between the ‘new world of 7’ and the ‘underworld’ refers to the changes that went on in Earth as it cooled down further from its primordial hot stage, each time producing new land mass configurations. This facet of the myth can be extrapolated, to show that the process of geological-electromagnetic changes will continue into the future, thus changing the land mass configurations across the eons to come.

The clash between the Reptilian/Dvil forces and the Divine/Light forces is clearly shown in the mythos. As revealed, the reptilians reside in the astral dimension that is signified by the sea.

Four-cross beams that were supported by iron pillar, which is the foundation of human life, signify the four elements of earth, water, air, fire as they combine (Quaternary principle), blend and harmonize to constitute the material vehicles for making living possible. ‘Iron pillar’ signifies the over 100+ elements on earth—discovered today by chemists—that can indeed support existence down here.

[Philippines, 20 June 2011]

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Wednesday, June 12, 2013

BRAHMA & ELOHIM IN BATARA GURU MYTH OF DAIRI BATTAK


BRAHMA & ELOHIM IN BATARA GURU MYTH OF DAIRI BATTAK
Erle Frayne D. Argonza


The Dairi Battak, who live to the north of the Toba and are .more or less in contact with the Muhammadanized Garo, have a version 26 which presents interesting differences. Batara Guru (Sanskrit Bhattara Guru), the highest of the gods, once sent a servant to get some venison, which was greatly desired by the deity's wife, who was about to give birth to a child. The hunt being unsuccessful, the divinity then sent the raven on the same quest, but he also could find no such food any-where in the realms of the gods. In the course of his search, however, he discovered a cave, in which was a pit whose bottom he could not discern. The longest vine was too short to measure its depth, and a stick thrown down the opening disappeared without a sound to indicate that it reached bottom. Determined to solve the mystery, the raven flew down into the opening, and after a long journey in complete darkness at last reached the surface of a wide-extending sea. After exploring in vain, the raven wished to return in order that he might report his discovery, but could not retrace his way to the opening through which he had come, though luckily he found floating upon the sea the bamboo which he had thrown down the hole, and on this he rested.
Meanwhile Batara Guru became impatient, and accompanied by several attendants, he flew down the dark opening in the cave, taking with him from the sky-world a handful of earth, seven pieces of wood, a chisel, a goat, and a bumble-bee; and reaching the surface of the sea, he built a raft from the pieces of wood. The raven now appeared, sitting upon the floating piece of bamboo, and at his request Batara Guru called to the eight wind-directions, whereupon darkness at once gave place to light. By his command the goat, accompanied by the bee, went down under the raft to support it on his horns; but in finishing the raft the chisel broke, and the handle hit the goat upon the head, which made him shake it violently, and the raft with it, for which the deity chided him and ordered him to keep still. Then taking the earth which he had brought with him, Batara Guru spread it upon the raft, thus making the world, and gave this to the raven for a dwelling-place.
REFLECTION

Another one of the myths that is so rich in archetypes. Batara Guru (Bathala in Tagalog) signifies collectively Brahma, deity of the physical universe, and the Elohim, originally comprising of 7 hierarchs who assisted in the ideation and materialization of forms.

The descent from spiritual to the material planes by the souls so created was also depicted. Venison, raven, bumble bee, and so on, are symbolic of the devic and elemental forces that would assist in creating vehicles of forms for humans to embody into in the descent to the material planes.

The narrative concluded with the formation of the life-supporting dimensions or ontological planes, ready for evolving the humans that were on the progressive descent to the physical plane where mental and physical perfection will be achieved. Thus, spiritual, mental, and physical evolution all happen in synchronous fashion.

[Philippines, 20 June 2011]

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Saturday, June 1, 2013

ELOHIM, MU, SOUL DEVOLUTION, REPTILOIDS IN BATTAK MYTH


ELOHIM, MU, SOUL DEVOLUTION, REPTILOIDS IN BATTAK MYTH

Erle Frayne D. Argonza / Ra

Deferring for the moment any discussion of these tales, we may turn to a third group of myths, i. e. those of the Battak of Sumatra. The Toba Battak (who of all the Battak tribes are probably the least influenced by Muhammadan or Indian culture) account for the origin of things as follows. Mula Dyadi, the highest deity, dwelt in the uppermost of the seven heavens and had two birds as his servants. Having created three male beings, he caused a tree to exist in one of the lower heavens, its branches reaching to the sky; next he made a hen, which perched on the tree and later laid three eggs, from which came three maidens whom Mula Dyadi gave as wives to his three sons. The daughter of one of these sons refused to marry a cousin of hers because he had a face like a lizard and a skin like a chameleon, and devoted her time to spinning. One day she dropped her spindle, which fell down from the sky-world. On the thread so unrolled she then descended to the surface of the sea which stretched everywhere below. In this primeval ocean swam or lay a great serpent on whose head the heavenly maiden spread a handful of earth brought down at her request from Mula Dyadi by one of his bird servants; and thus she formed the world. The serpent, however, disliked the weight upon his head, and turning over, caused this newly made world to be engulfed by the sea. Thereupon Mula Dyadi created eight suns, whose heat should dry up the sea, and this being done in part, the divine maiden thrust a sword into the body of the serpent, revealed by the shrinking sea, and fastened his body firmly in an island block that he might never again thus destroy the world. With more soil she then re-founded the earth; but after this, having questioned her as to what was to be done with the youth whom she refused as husband, Mula Dyadi declared that she now must marry him, and wrapping the unwelcome suitor together with a blowgun in a mat, he threw him down upon the earth. Unharmed by his fall, and feeling hungry, he shot at a dove which escaped unwounded, but caught the arrow dexterously and flew with it to the village where the heavenly maiden dwelt. Following in pursuit, the youth discovered the girl who had before refused him, found her more tractable, and married her; and so they became the ancestors of mankind.
REFLECTION
‘7 heavens’ signify the 7 subplanes of the heaven-worlds or devachan.  Four (4) of the subplanes are in the 3rd plane (mental plane) while three (3) are in the 4th plane (higher mental or causal plane). The 4th plane is dimension of the arupa or formless, though already a material plane; 3rd plane, the beginning of the rupa (form) dimensions. Rupa moves down to the physical plane.  
At that level, certain beings called the Elohistic Forces or elohim could have been niched to aid in the materialization of forms, the same forms thus used as subtle bodies as vehicles for souls in descent phases of devolution. They are collective referred to as Mula Dyadi in the myth, the term Dyadi thus resonating with a similar term Dhyani  (angels, devata) in southern Asia. Mula contains the morphemes MU LA. In Tagalog, mula means ‘from’, which is referent for ‘source’.
The birthing of Twinflame souls, which signifies the Law of Duality as applied to soul division, was also revealed. The devolution goes on to show that the early humans were ‘egg-born’ or hermaphroditic, as per Theos Sophia discourse, was the fact till the mid-Lemurian racial families.
The devolution phase goes on, revealing the intervention of the reptilians and their role in the rapid descent or Fall of mankind. The ‘war in the heavens’ was suggested in the conflict between the maiden (signifying mankind with aid of Divine Forces) and the serpent (signifying the reptilian species of Draco and Orion).
In the final phase of the myth, the maiden (early Terran) was married to the hybrid reptilian-human, the marriage thus beginning the long lines of next sub-races of humans on Earth.
[Philippines, 20 June 2011]  
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